Bill Bruford's career is like his drumming sound -- inimitable. Known for his ringing metal snare drum, crisp cymbal work, and knack for complex time signatures, a young Bruford came to prominence in the late '60s with Yes. The drummer completed his British art rock trilogy by briefly joining Genesis in the 1970s and spending a quarter-century with King Crimson through the late '90s. In between King Crimson dates, Bruford led a dazzling self-titled jazz fusion solo band from 1978 to 1980. Featuring guitarist Allan Holdsworth (replaced after two albums by "the unknown" John Clark), bassist Jeff Berlin, and keyboardist Dave Stewart, the group issued four albums: Feels Good to Me (1978), One of a Kind (1979), The Bruford Tapes (1980), and Gradually Going Tornado (1980). And even as he led his visionary jazz band Bill Bruford's Earthworks, he maintained a career as a session drummer (with artists like guitarists Al DiMeola and David Torn, bassist Jamaaladeen Tacuma, and keyboardist Patrick Moraz).